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“Everybody wants to comprehend art. Why not attempt to be aware of the song of the bird?…people who attempt to explain pictures are usually barking the wrong tree.” – Pablo Picasso

What Picasso says about understanding art is quite highly relevant to the way we approach Abstract Painting. Many people believe that abstract paintings should have a certain concept of some kind, which may be clearly understood and articulated if perhaps they knew how. This misconception is not helped from the endless availability of people willing to spout nonsense in regards to what they think the artist was seeking to say. The almost inevitable results of this case is the fact people either can feel as though they are being excluded from sharing in some secret knowledge, or alternatively conclude that abstract painting is in fact all a sham. In either case, the end result is the fact that many individuals usually do not feel well-disposed towards modern art or abstract paintings.

I certainly identify with Picasso’s remark so far as my very own paintings are involved. Basically If I enjoyed a specific message or perhaps a which means that I really could articulate in words, i would articulate it in words – the painting might have no purpose. The whole point of creating an abstract painting is it embodies a thing that only it can, in a way in which cannot be put in words. It is really not an essay this is a painting – it encompasses and expresses things in a language which is unique towards the medium of paint. This is why we need to not make an effort to ‘understand’ abstract paintings in how people sometimes feel they ought to be able to.

The viewer should not choose a clear narrative inside an abstract painting – it is far from planning to tell a tale, or reference another ‘subject’ in the same manner that a figurative painting will. But that does not mean there is no meaning or no subject, or that abstract paintings cannot communicate with and move people. When asked about material, the Abstract Expressionist artist Jackson Pollock said, “I am the subject”. Pollock’s statement is not just true, it is inevitable.

The experiences, personality, memories and mood of the Black And White Painting cannot help but be fed into the painting when the artist approaches the work within an open and honest way. I do not require another subject or idea before I can create a painting – I simply begin. The truth that I am me without any-one else is what makes my work different to anyone else’s, and this is also true of all artists. The colours I select, the marks a make, the accidents I choose to depart, or even to obliterate, these are everything that I choose due to who I am just.

If you decide to present a number of different artists with the exact same basic design on a canvas and ask them to pick up a brush and develop the painting, the variations in the things they would decide to do could be enormous. I actually have watched other abstract artists at the office on paintings and thought “I would personally never in a million years have selected that colour and put it there.” Not because I believe it is wrong or bad, but as they are who they are and (to quote that other leading artist, Morrisey!) “only I am I”.

Abstract paintings – There are numerous great varieties of painting available, arising from a rich art history which has seen movement after movement. The term abstract art is often used a blanket term to illustrate non-representational art – that is the deficiency of recognisable subjects. Abstract art was linked to the rise of modernism over the past century, getting into the mainstream with abstract expressionism in post-war art and still continuing to influence artists today.

What brought about the qualities we have seen in abstract art? The flattening of the artist’s canvas surface is just one major quality, as artists moved away from a convincing illusionism towards broader-minded thinking. With all the invention of photography releasing the artist from painting as a method of recording reality, they began seeing the canvas surface as an object in its own right, with the canvas being a single, flat expansive surface. Paint ‘acted’ and affected the flat surface and began to form its ignqsj qualities in accordance with the way it was handled. The paint could exhibit ‘personality’, it had its very own dimensions and opened up an array of different techniques we see in artwork with the last century. One of the primary reasons artists began painting in Black And White Painting was the opportunities for greater creativity. It allowed for any greater variety of expression and the creation of ideas that had been not dependent on representing reality any further.

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